Finding a path through biodesign
When Iines Jakovlev took part in the Design Meets Biomaterials course in 2017, she had no idea how much it would shape her future.
“Before that course, I didn’t know what CHEMARTS or biodesign were,” she says. “But I found this new way of working that combines science, art and design. The materials and people were inspiring, and I could create something truly new.”
That first experience led Iines to the CHEMARTS Summer Course, where she explored cellulose-based materials for jewellery making—a theme that became the focus of her bachelor’s thesis.
Experimental jewellery made with carboxymethyl cellulose (CMC) and microcrystalline cellulose (MCC) by Iines Jakovlev.
The following summer, she began working as a student assistant in the CHEMARTS program and continued in the role throughout her master’s studies. Over five years, she supported teaching, research and exhibitions, gaining a deep understanding of materials and multidisciplinary collaboration.
“CHEMARTS really went beyond my expectations. I gained not only knowledge and technical skills, but also courage and direction as a designer.”
Iines’ Ornamo award-winning Master’s thesis explored less-researched locally-grown and roadside plant properties. The piece is made of lupin fibers and its form echoes the lupine’s explosive method of seed dispersal.
A cattail basket constructed using the birch bark weaving technique showcases the leaf’s many colors and textures.
Dandelion stems lend themselves to various forms of making.
She believes that curiosity and openness are key to finding one’s path.
“I followed my instincts. When I started my studies, I thought I would become a traditional product designer. But through CHEMARTS, I found what truly interests me—and who I want to be.”
“Even if you don’t end up working directly with new materials, you’ll need an understanding of your role as a designer in future material and product development. We’re responsible for the products we create and the materials we choose.”
From Aalto to Lapland’s creative periphery
Today, Iines works as an independent biodesigner and has co-founded Meän Periferia, an artist-led initiative in her hometown of Kemi, Lapland.
“We want to turn the periphery into a place of creativity, collaboration and new possibilities,” Iines explains.
The collective aims to strengthen the cultural life of the Meri-Lappi region by bringing together art, design and community.
